WestVirginiaRebel Posted February 20, 2017 Share Posted February 20, 2017 NY Times: This is my third go at covering the Oscars as The Times’s awards writer, the Carpetbagger, and heading into the season, I wondered what sort of hullabaloo would erupt this time. In 2016, there was #OscarsSoWhite: For the second year in a row, the Academy of Motion Picture Arts and Sciences hadn’t nominated a single minority director or actor, prompting public outcry and demands for greater diversity in the movie business. This season it was clear after the Venice, Telluride, and Toronto Film Festivals — all litmus tests for awards-minded pictures — that it wouldn’t be another #OscarsSoWhite year. The films that emerged from the festivals as likely Oscar contenders — “Moonlight,” “Fences,” “Lion,” “Loving,” and “Hidden Figures” (the film did not screen at Toronto , but its cast still showed up to promote it) — all starred minorities. And each of these pictures received major nominations, including a directing nod to Barry Jenkins, the director of “Moonlight,” who is black. Yet for admittedly selfish reasons, I was hoping a new controversy would erupt. I have to produce a Carpetbagger column about the Oscars contest every week, for three months. Absent a fracas, the subject matter can get awfully thin. ________ Another reason not to watch. Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now